ES | EN

A website to bring a historical documentary to life

Llibertat Decapitada


A documentary needs more than a powerful story — it needs funding to come to life. For this real-world project, I designed a website that not only promoted the film but also helped attract potential investors and connect with an engaged audience.

The platform focused on clear information architecture, a bold visual design, and intuitive navigation — ensuring every visitor could quickly access key information about the production and its cultural impact.


# real project

Introduction

The Client


Carles Benpar

Carles Benpar (Barcelona, 1947) is a film director, screenwriter, and producer known for his commitment to the preservation of cinema and the defense of artistic freedom. He has won two Goya Awards for Best Documentary for *Cineastas contra magnates* (2006) and *Cineastas en acción* (2007), films that denounce cinematic manipulation. His work spans from fiction films to historical documentaries, often exploring themes such as identity, justice, and memory. He has directed films like *Escapada Final*, *El género femenino*, and *La verdad oculta*, and has also contributed to television projects and published studies on filmmakers like Nicholas Ray. His work stands out for its rigorous narrative style and deep reflection on cinema as a tool for denunciation and historical remembrance.

The Documentary


"Llibertat Decapitada"

This documentary reconstructs the final days of General Josep Moragues, a symbol of Catalan resistance during the War of the Spanish Succession. Through a cinematic approach rooted in historical documentation, the film explores his struggle against Bourbon absolutism, his capture in 1715, and his brutal execution — used as a warning to those opposing Philip V’s rule. With immersive storytelling and carefully crafted cinematography that follows Moragues’ journey from hope to sacrifice, the documentary restores the legacy of a figure long forgotten. More than a historical account, *Llibertat Decapitada* is a meditation on memory, resistance, and the price of freedom — placing Moragues in the collective memory where he rightfully belongs.

Placa que contiene una biografía del director de cine Carles Benpar y una fotografía en pleno rodaje. Placa que describe detalles del proyecto documental, junto a un fotograma de la película.

Team

    Carles Benpar → Film director, responsible for the investor presentation strategy and timeline coordination.
    Néstor F. → Illustrator and visual designer, in charge of providing graphic and multimedia elements.
    Anna B. → Content coordinator and copywriter, ensuring quality and consistency across all texts.
    Cristina R. → Translator, responsible for adapting content into different languages depending on the target audience.
    Guille Herrera → Responsible for graphic identity, visual design, user experience, interface design, and website development. I also handled content review and the launch of the live site.

Timeline

7-month project.

  • Research and synthesis:
    2 months (January–February)
  • Ideation, prototyping, and testing:
    2 months (March–April)
  • Development and launch:
    3 months (May–July)

Project Challenge

The website needed to meet two key objectives: on one hand, to attract investors by presenting the film in a compelling way; on the other, to persuade a government agency by highlighting the documentary’s cultural and social value — emphasizing its historical relevance as justification for receiving public funding.

To achieve this, it was essential to structure the information clearly and persuasively without overwhelming the user, balancing text and visuals to keep both audiences engaged. In addition, I designed an intuitive user experience with smooth navigation and a fully responsive interface, ensuring optimal access across both mobile and desktop devices.

Research & Synthesis

During the initial meetings with the client, we leveraged his extensive experience in film production to gather key information, define the target audience, and establish the research goals.

Portada que introduce a la sección 'User Research'. Junto a una fotografía de un escritorio lleno de papeles, hay unas letras negras sobre fondo amarillo que dice: 'Entendiendo al Usuario'.

Research

Objective

Determine the best way to present the documentary in order to:

  • Attract investors in the audiovisual sector who are interested in financing film projects.
  • Convince government agencies responsible for granting cultural subsidies.

Target Audience

Film investors

  • Production companies, film investment funds, and private businesses with an interest in the industry.

Government funding agencies

  • Officials or experts in charge of evaluating projects for public funding.

Research Methodology

Since direct access to the target audience was limited, an agile and efficient research plan was developed.

  • Secondary research (desk research)
  • Interviews with industry experts
  • Validation with government institutions
Infografía —en fondo amarillo— con información complementaria sobre la Investigación de usuario: Metodología de la investigación: Investigación secundaria, entrevistas con expertos del sector y validación de los requerimientos gubernamentales. Placa con la síntesis de lo recogido, tanto en inversores, como en organismos gubernamentales. Se muestran motivaciones, pain points, formatos preferidos y algunos hallazgos. —En fondo amarillo—

Definition & Synthesis

Film Investors

Film investors look for projects that balance profitability, cultural prestige, and commercial impact.


Government Agencies

To grant funding to a film project, government agencies assess its cultural value, historical relevance, and social impact.

Infografía —en fondo amarillo— sobre 'Definición y síntesis'. La placa muestra dos clumnas: 'Inversores privados' y 'Entes gubernamentales'. En cada una se detallan los datos recogidos durante la investigación.

Ideation & Prototyping

Objective

With key elements defined and a deep understanding of the target audience, the next step was to transform the research into tangible design solutions. Through a structured ideation process, we explored different ways to present the documentary in a clear and persuasive manner. Iterative prototypes were developed, prioritizing visual hierarchy and usability to ensure an intuitive and effective experience — one that would appeal to investors and meet the funding criteria of public institutions.

Generating Ideas

Given the small team, limited resources, and tight deadlines, the strategy focused on using agile, efficient, and low-cost ideation techniques.

Rapid Brainwriting
  • It was decided that the initial design would be developed for desktop, allowing for maximum visual impact and a solid, well-structured layout. Later, the design would be adapted to different screen sizes using a responsive approach, ensuring a consistent user experience and preserving design strength across all devices.
  • During the Brainwriting session, several key ideas emerged for the structure and functionality of the website. Two participants emphasized the importance of offering the site in three languages (Catalan, Spanish, and English) to broaden the documentary’s reach locally and internationally. We also explored solutions for managing access to sensitive documents, such as the screenplay, ensuring they were available on request.
Infographic —yellow background— explaining the Brainwriting ideation process: number of participants, session duration, and key points gathered during the workshop.


Card Sorting with Post-its
  • Based on the Card Sorting session, key improvements were identified for the site’s structure. A core framework with three main sections was proposed: “General Moragues”, “Llibertat Decapitada”, and “Carles Benpar”. After testing various alternatives, we decided to subdivide the “Llibertat Decapitada” section into “Synopsis”, “Screenplay”, “Teaser”, and “Cast”.
Infographic —yellow background— about the Card Sorting process using Post-its. Details the number of participants, steps taken, and key insights found.


Rapid Sketching (Crazy 8’s)
  • Eight sketches were created in eight minutes to explore different versions of the homepage layout. The goal was to identify design opportunities that could enhance the final solution by combining strong visual impact with a clear and effective presentation of the film’s information.
Infographic —yellow background— detailing the Crazy 8s sketching session. Describes the activity and shows six of the eight sketches developed.


Sitemap

After conducting user research, we identified that the target audience needed to understand both the value of the documentary and the background of the team behind it. To achieve this, the information had to be presented clearly, with a well-structured layout aligned with the expectations of investors and funding institutions.

Graphic board showing the site's Sitemap, designed after the ideation sessions.

This process of refinement and iteration led to a solid structure that balances informative depth with visual appeal — ensuring each section addressed specific audience needs while strengthening the documentary’s overall presentation.

Paper Wireframe

Following the ideation sessions, the focus shifted to designing the site’s two main entry points: the Language Selection screen and the Homepage.

Graphic board labeled 'Paper Wireframe' showing two hand-drawn sketches: one of the homepage layout and another outlining the site's basic structure.

Digital Wireframe

After outlining the site’s foundation on paper, the sketches were digitized to define each screen in more detail and move toward a low-fidelity prototype. This allowed for early usability testing and initial design adjustments.

Digital Wireframes graphic: two low-fidelity screen mockups showing the homepage and a basic layout template for all site pages.

Low-Fidelity Prototype

Once the design of all screens was completed, they were connected in Figma, creating a navigation flow that simulates the real user experience within the website. This process allowed for the structuring of interactions between the different sections and the preparation of a functional prototype necessary for usability testing, ensuring the user journey was smooth and intuitive before moving on to the validation and refinement phase.



Ingografía, con fondo amarillo, que muestra la estructura del prototipo de baja fidelidad.

Usability Study

Given the context of the project, an efficient usability test was designed, focused on validating the user experience based on the specific needs of the key user profiles: investors and government agencies.

Infografía sobre el estudio de usabilidad. En esta placa, se detalla el tipo de estudio, la ubicación y la duración de la prueba. Infografía sobre el estudio de usabilidad. En esta gráfica se muestra a los participantes y las tareas que tuvo que realizar cada usuario. Infografía sobre el estudio de usabilidad. En este último cuadro, se muestran datos sobre las entrevistas cualitativas post-prueba y los criterios de éxito del estudio.

The usability study proved highly valuable — participants with extensive industry experience engaged in a collaborative manner, providing generous and precise feedback that enriched the design process.

Findings & Opportunities for Improvement

1 · Difficulty Changing Language
Finding
  • Participants encountered difficulties when trying to change the language, which caused friction in the user experience and disrupted smooth site navigation.

Improvement Proposal
  • Implement a Language Selection screen before the homepage, allowing users to choose their language from the start and ensuring a smoother transition.

2 · Lack of Information About the Production Company
Finding
  • Users noted that, beyond the director’s profile, it would be important to include information about the production company behind the documentary. Showcasing the team's experience and background builds credibility and increases trust in the project.

Improvement Proposal
  • Add a “Production Company” tab in the navigation menu to highlight the experience and support of the team behind the film.

3 · Restructuring of the “Synopsis” and “Screenplay” Sections
Finding
  • Some users felt that both sections should be integrated into a single page to make content easier to read and understand. Additionally, they mentioned the full screenplay should only be accessible to those with a legitimate interest in evaluating it.

Improvement Proposal
  • Merge “Synopsis” and “Screenplay” into one page and implement restricted access to the screenplay — allowing only verified users to view the document.

Client Validation of the Structure

Given the client’s deep knowledge of the film industry, we decided to complement the usability testing with a dedicated meeting to validate key findings before moving on to the high-fidelity prototype. This step ensured that the proposed improvements were aligned with the client’s expectations and creative vision, maintaining a balance between usability and editorial control over the website.

The client validated the findings and also requested the addition of a new tab in the navigation menu titled “Images”, designed to showcase a gallery of photographs from his career as a director. This addition aimed to reinforce his experience and further establish his artistic trajectory within the website — adding unique value to the project’s presentation.

The image is divided in two parts. On the right, a film set with an empty director’s chair takes up most of the space. On the left, a yellow panel reads 'Conclusions, Takeaways'. This graphic shows the 'Structural Adjustments' made after usability testing. It displays the site's sitemap with arrows pointing to sticky notes highlighting key revisions.

Final Design & Testing

Decision to Skip the High-Fidelity Prototype

A strategic decision was made to move directly into development and omit the high-fidelity prototyping phase, based on several factors aimed at optimizing project time and resources.

First, the website’s structure had already been clearly defined and validated. The client approved the low-fidelity prototype and made the necessary adjustments, with no major changes anticipated in layout or content hierarchy. Additionally, the website serves a primarily informational purpose, with a straightforward structure that did not require visual simulation before development.

Finally, since both the design and development were under my responsibility, moving directly into code enabled a more efficient implementation process by skipping unnecessary intermediate steps. Before beginning development, the site’s structure and visual direction were agreed upon with the client, ensuring full alignment with expectations and requirements.

Visual Design

The site’s visual development was based on the graphic identity previously established by Carles Benpar and his team for the documentary. To ensure aesthetic and conceptual consistency, we held several meetings with the client and design collaborators, where we defined key visual guidelines for adapting those elements to a digital environment.

Diseño Visual. En esta gráfica se pueden observar algunos elementos gráficos y conceptuales de la identidad visual del film. Diseño Visual. En esta imagen se lee la justificación de la paleta de colores y la tipografía elegidas. Diseño Visual. En esta placa se analizan los elementos históricos y cómo se pensó la animación para el 'Home'. Diseño Visual. Por último, se muestran las ilustraciones hechas para la imagen conceptual del film y que tuvo un lugar protagónico en el sitio web: es un dibujo de la jaula que contiene la cabeza del General Moragues.

Website Development

The website was fully developed using HTML, CSS, and JavaScript, ensuring a clear semantic structure, flexible layout, and a smooth user experience. Accessibility was prioritized, with compatibility for screen readers and compliance with web standards. The site was also optimized for fast loading times across various devices and network conditions.

Clean, modular code was implemented to support scalability and future updates — ensuring long-term maintainability and performance.

Graphic showing the website development process: applied best practices, code architecture, file structure, and technologies used (HTML, CSS, and JavaScript).

Mobile Optimization

Since our target audience — investors and government institutions — primarily review content on desktop devices, the design and development process focused first on creating a clear, professional layout for large screens. However, to ensure broader accessibility and compatibility, the site was also built with a fully responsive design, optimized for mobile and tablet devices.

Usability & Performance Adaptation

Mobile optimization went beyond scaling — it focused on usability and performance. Specific adjustments were made to enhance the experience on smaller screens:

  • Layout refinements
  • Loading speed and performance improvements
  • Enhanced mobile accessibility

Graphic showing key decisions made to optimize the design for mobile screens, including how the site adapts to various device orientations and sizes.

Validation Testing

To ensure the website met the expected communication and navigation goals, a final validation phase was conducted to assess the adjustments made following the initial usability testing.

Due to limited team and resources, a mixed-method approach was used, combining participants from the original usability test with a new user. This strategy helped confirm that the improvements addressed previously identified issues while offering fresh insight from someone navigating the site for the first time.

Infographic detailing the Validation Test: participants involved, methodology, and assigned tasks.

Final Adjustments

The validation tests confirmed that the implemented changes improved site navigation and made key content more accessible for both user groups. The user experience was smooth across desktop and mobile, with no significant usability or accessibility issues reported by new users.

Minor interface adjustments were made — including line-height tweaks, margin refinements, and resizing certain images — to ensure a more balanced and readable design.

During the final client validation meeting, some updates to section names were requested. "El General Moragues" was renamed to "General Moragues and His Time", and "Llibertat Decapitada" became "The Film". Additionally, a new page titled "Director’s Statement" was added, where the filmmaker shares his artistic vision and motivations behind the documentary, offering deeper insight into the project.

Implemented Solution

Clean and Structured Design

From the very beginning, one of the main goals was to deliver a UX/UI design that was clear, functional, and aligned with the target audience’s needs. Since the primary users — investors and government institutions — typically access content in professional environments, we prioritized a clean visual structure with clear hierarchy and an intuitive user experience.

Placa gráfica mostrando la 'Solución de diseño'. Puede observarse una pantalla horizontal, sobre fondo amarillo, y una disección de cada parte, resaltadas con marcador y flechas que tienen anotaciones con la justificación de cada decisión tomada.
Placa gráfica sobre la 'Solución de diseño'. En este caso además de otra pantalla horizontal, hay una pantalla móvil que muestra el menú en interfaces para teléfono móvil. En este caso, también se pueden observar anotaciones con marcador.

Key Information for Investors and Government Institutions

The website was designed to provide investors and government institutions with quick and structured access to key information about the project. Sections such as the synopsis, screenplay, teaser, and the director’s background were strategically organized to communicate the documentary’s historical and cultural relevance, as well as its viability as a cinematic production.

For investors, the focus was on presenting the project in a clear and compelling way, allowing them to quickly assess the film’s potential and access relevant material such as the screenplay. For government agencies, the site emphasized the documentary’s cultural and historical significance, highlighting the director’s professional trajectory as a strong asset to support funding applications.

'Design'. A board showing strategic design decisions such as the screenplay request flow and contextual information about the director’s filmography.

Mockups

Mockup showing a laptop slightly tilted, displaying the director’s filmography in a clean informational layout.
Mockup of a mobile phone displaying the 'Dramatis Personae' page fully adapted to the screen size. Mockup of a tablet in horizontal mode, showing the 'Teaser' section with a video frame on the media player.


Key Takeaways & Reflection

Image divided in two parts: on the right, a film set with an empty director's chair; on the left, a yellow panel with the words 'Conclusions, Takeaways'.

Next Steps

Since the website was conceived as a static informational platform, development concluded once it was deployed to the server and confirmed to be working properly. No future iterations were planned, and the client assumed full control of the site.

After the launch, a few minor updates were made at the client’s request — including small grammar fixes, image repositions, and content refinements. These were handled promptly to ensure the website aligned closely with the director’s vision and effectively served its purpose as a presentation tool for investors and cultural institutions.


Project Impact

The website successfully fulfilled its purpose — serving as a key tool for presenting the documentary to investors and public institutions. The client was highly satisfied and used it as a digital portfolio to showcase his professional background and promote the project.

Thanks to this site, the project secured financial support from the Institut Català de les Empreses Culturals (ICEC). This highlighted the positive impact of a strategic digital approach on the institutional communication of the documentary.

Although the production was paused due to the pandemic, the website remained active for several years, functioning as an essential part of the director’s public identity and creative work.

Image divided in two parts: on the right, a film set with an empty director's chair; on the left, a yellow panel with the words 'Conclusions, Takeaways'.
What I Learned

This project taught me how to balance the client’s vision with user needs, integrating strategic UX decisions without compromising the visual identity. Collaborating with a director with a strong aesthetic perspective helped me strengthen my argumentation and negotiation skills, ensuring an intuitive navigation while preserving the documentary’s character.

Time management and multimedia resource optimization were also key challenges. I implemented an efficient workflow to process images without sacrificing quality, and maintained clear communication to handle delays in content delivery.

Ultimately, I reinforced the belief that successful design is not just visually appealing — it must be functional, strategic, and adaptable to both client and user needs.

Do you want your website to tell your story clearly and engagingly?

More Projects